传统上，书法家研发笔法的目的就是为了服务书写有意味的符号 —— 中文为唯一的目的。
Chinese calligraphy is about writing the Chinese characters. Since Chinese characters are basically significant form of symbols, it is therefore said that Chinese Calligraphy is a fine art of significant form of symbols.
There is another aspect of Chinese calligraphy. The primary tool in Chinese calligraphy is the writing brush. It is this unique cone and flexible writing tool which made of animal hair (including sheep hair, wolf hair, rabbit hair, chicken hair, etc.). Chinese calligraphers also developed unique ways to use the brush (that is, ‘writing rules’ or the techniques of ‘using the writing brush’, ‘moving the writing brush’, ‘holding the writing brush’ etc).
The brush as a writing tool is very simple. It is used together with the writing rice paper (mainly is Xuan paper) or silk, the black ink which showed shades. The tools are simple, but the ability to integrate the three into one and use them appropriately will produce rich and unbelievable art expressive force.
In addition to the rules of visual modelling, the most important way to display Chinese calligraphy art is the beauty of lines generated by proven techniques. This is why Chinese called the Chinese calligraphy as ‘line art’.
Traditionally, Chinese calligraphers’ purpose of developing brush techniques is to serve the sole objective of writing meaning symbols – the Chinese characters.
However, this has been challenged by some modern calligraphers who have taken a radical view that treats Chinese calligraphy as purely an art of using brush techniques to draw lines without having in mind the need to write Chinese words.
In other words, the Modern Chinese calligraphers have asked an unthinkable question: Should the Chinese calligraphy be the art of writing Chinese characters?